Showing posts with label Reaper. Show all posts
Showing posts with label Reaper. Show all posts

Wednesday, May 27, 2009

Reaper, "The Devil and Sam Oliver": And it's 1, 2, 3, the kids love the monkey

Spoilers for the "Reaper" season/series finale coming up just as soon as somebody helps me get nuded...

When "Reaper" and "Chuck" debuted at the start of last season, the comparisons were as frequent as they were obvious. Many people (myself included) even preferred the "Reaper" pilot, thanks to Ray Wise, bigger laughs and what seemed to be a more assured sense of story and tone. But watching what's likely the final episode of "Reaper"(*) one month after what thankfully turned out not to be the final "Chuck," it's not hard to see how the two shows diverged creatively, and why there was such passionate outpouring from fans and media about the Save "Chuck" campaign, while the movement to save "Reaper," while there, has been a lot quieter.

(*) Yes, the rumor of the CW affiliates picking up the show to help fill their now-vacant Sunday lineup is still out there, but A)I know nothing about it that you don't, and B)It seems like such a Hail Mary, between the logistics of ordering it and the departures of Tyler Labine and "Reaper" creators Fazekas and Butters, that I'm going to assume, until there are confirmed reports of production beginning on new episodes, that it'll turn out like "Arrested Development" on Showtime or the "Deadwood" TV-movies.

The "Chuck" finale was a balls-to-the-wall, everything-but-the-kitchen-sink, other-hyphenated-cliche-about-giving-your-best-effort affair, something that built on everything that came before. It ended in a place that had me very eager to see the next season, while at the same time (though I doubt this was the creators' intention) had the same air of the "Terminator" finale, where what seems like a cliffhanger also feels like a satisfying stopping point if need be.

The "Reaper" finale, on the other hand? Well, it was funny in parts (the Devil making Sam dance like a monkey, Sock speaking in tongues after putting his tongue on a toad, Andi getting drunk, Steve complaining about life as a guardian angel), but it also felt as lazy and aimless as the show so often was, and the ending just has me frustrated that we likely won't get to see where things are going. (Even if the show comes back, the creators likely wouldn't be back with it.)

"Reaper," like Sam himself, has never seemed to have much of a plan, and while that feels thematically appropriate, it also gets frustrating to watch whenever the series does a mythology-driven episode like this one. As Fienberg points out in his own "Reaper" finale review, Sam's ability to play Quarters was never established earlier, and most of this season has felt like Fazekas, Butters and company were just treading water, not sure what to do after the unexpected renewal. Last year's finale already established that Steve was an angel again, and that Heaven had some kind of grand plan for Sam, and 13 episodes later, we're basically at the same point. Andi having sold her soul in the bargain does add a new element for a hypothetical third season, but that's only after wasting her as the wet blanket for most of this year. (And I sure would have liked to see Andi's first meeting with the Devil, as opposed to finding out about it afterwards.)

If "Reaper" somehow comes back, even in a cheaper form with a smaller cast and a new creative team, I imagine I'll still watch for a while, if only for Ray Wise and Rick Gonzalez. But the series could have been so much better than it was. Maybe if it had been, its future wouldn't be so uncertain right now.

What did everybody else think?
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Thursday, May 14, 2009

Reaper, "To Sprong, With Love": Stop. Hammer time!

Quick, belated spoilers for Tuesday night's "Reaper" coming up just as soon as I build a robot suit...

Usually, when the creator or creators of a show like "Reaper" pen an episode, you expect it's going to be packed with mythology and other things to move the major story arcs forward. Instead, "To Sprong, With Love," written by Michele Fazekas and Tara Butters, was one of the least arc-driven episodes of the season -- but it was also one of the funniest, so I'm okay with that.

In addition to a great guest turn by Michael McDonald from "Mad TV" as the evil (but not demonic) Mr. Sprong, we saw Sock get so caught up in his fame as Wrenchy Bench that he wound up brawling with an old lady (albeit an old lady dressed as a hammer) in the Work Bench parking lot, we saw Ben put on a robot suit (in a nice callback to those early season one episodes where Sam and Sock would arm themselves with gear from the store) to fight a demon to protect Nina's honor, we saw Satan be particularly evil to that couple in the jewelry store, and we even saw Andi be funny on several occasions, notably in the arm-wrestling match pictured above. (Though no way, no how, does Tyler Labine have a chance against Missy Peregrym in an actual contest like that.) Taking Andi out of her leadership job at the Bench, and sending her out on soul-hunting missions again is a much better use of the character, even if she and Sam still have little chemistry together.

Meanwhile, Fox's pick-up of Tyler Labine's new show, "Sons of Tuscon," doesn't automatically signal a death knell for "Reaper." Technically, "Reaper" still has first position for Labine if the CW brings it back. But I have to assume Fox felt reasonably confident that that won't happen when they ordered "Tuscon."

So we might as well enjoy these last two episodes, and hope they're either as amusing as "To Sprong," or as well-plotted as the two before it. If the show somehow comes back next year, great. If not, it's been fun.

What did everybody else think?
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Wednesday, May 06, 2009

Reaper, "My Brother's Reaper": Attack of the stripper clowns

Spoilers for last night's "Reaper" coming up just as soon as I wish that I had Jessie's girl...

We have three episodes to go in this second, and likely final, season of "Reaper," and it looks like the show is once again picking up its game just as we get close to the end of the year.

"My Brother's Reaper" was a lot of fun, between the Church of Steventology, Morgan making himself (too) at home at the guys' place, the planning and execution of Ted's non-bachelor party (and, for that matter, Ted's evil scheme to get his job back), and the entire mission with Michael Weaver as the wealthy, polar bear-armed d-bag who hoped to repent in the 11th hour, but didn't know how.

Nina's kiss of Sam now makes more sense -- she was checking him out to see if he'd need to be put down like Morgan -- and in the show's cosmology, Morgan's death doesn't mean we're actually rid of him, since we know Hell is so easy to escape from.

Andi-as-boss was a bad idea from the start, and while Missi Peregrym and Bret Harrison still don't have much chemistry together, it was nice to see them at least goofing off and enjoying each other's company at the end of the episode. And Rick Gonzalez and Ray Wise continue to kill every joke they're given.

If I'm correct and this is going to be the end of the show, I'm glad it's at least going out on a strong note, as opposed to the meandering first half of the season. Maybe if there's a miraculous renewal, whoever's running things next season can find a way to start out strong, instead of taking months to get their acts together.

What did everybody else think?
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Wednesday, April 29, 2009

Reaper, "No Reaper Left Behind": To Hell and back?

Spoilers for last night's "Reaper" coming up just as soon as I steam some spinach...
"You are an ass!" -Sally
"I am the dark lord of asses!" -The Devil
"No Reaper Left Behind" was the best episode of the season, by a long stretch. Now, when you're dealing with a show as congenitally sloppy and yet likable as "Reaper," that can seem like damning with faint praise, but this one doesn't feel like it needed to be graded on a curve.

Ray Wise as on fire as the lovestruck, stalking, completely arrogant Devil, prattling on about his "deep commitment to self-love" and knowing that Sam would be honorable enough to fess up about who really bought the steamer.

Just as funny were both Rick Gonzalez and Tyler Labine in the Ben/Sock/Nina subplot, both in their attempts to act normal while Nina was ripping apart Ben's car to the sounds of Cher's "Believe," and especially in the scene where a contrite Nina came to the Work Bench, with Ben unable to not stare at her with a goofy grin through the window, and Sock literally typing "OMG" on the keyboard while he said it to Nina. Those two make a fine comedy team, and if "Reaper" is already doomed, I hope Gonzalez can wind up on Labine's new show.

Meanwhile, a proactive Sam is a more interesting Sam (just as the "Chuck" writers discovered about Chuck) and the idea of Sam's dad going to Hell to find Alan was a great dramatic beat for a show that usually doesn't know how to handle serious emotion.

Four episodes left, possibly ever. I hope they have more ones like this coming up.

What did everybody else think?
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Thursday, April 23, 2009

On the subject of 'Reaper'

I realize I haven't written about the last couple of episodes of "Reaper." I watched last week's show in the middle of a very busy week where I simply never found the time to write about it, and I have yet to see this week's, in part because the CW's website isn't streaming it yet and the only time I have to watch it is when I'm in the office.

But for the benefit of the people who've been keeping up more closely, feel free to discuss either one, and go read Fienberg's argument for why the CW might want to renew "Reaper," after all. Click here to read the full post

Wednesday, April 08, 2009

Reaper, "Underbelly": Demon town

Quick spoilers for last night's "Reaper" coming up just as soon as I get rid of this cot...

Not sure what I have to say about this one, other than that I like watching Stephen McHattie (who played the original Nite-Owl in "Watchmen" and was the crazy sheriff here). Having Andi dump Sam may be understandable, but it doesn't solve the problem of her still being the show's fifth wheel. And while I was briefly amused by Sock and step-sis' sexual tension back at the beginning of the season, the joke is long since played out.

Nina continues to be a fun character -- and provide more opportunities for Rick Gonzalez to be funny -- and this was a decent iteration of the stock "our heroes get stuck in a creepy, isolated town" story, but... meh.

What did everybody else think?
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Wednesday, April 01, 2009

Reaper, "I Want My Baby Back": Fathers and sons, sisters and brothers

Quick spoilers for last night's "Reaper" coming up just as soon as I get some Shiitake mushrooms...

Best episode of the season, right? Easily.

Tony the saintly gay demon returns, Sam deals with the non-death of his father (who isn't quite a zombie; just undead but gross), Andi finds out the truth(*) about Sam's parentage from a scamming Morgan, and Sam and the Devil have one of their more dramatic confrontations to date over the fate of little baby Stevie.

(*) Or is it? Again, Sam's dad burned a bunch of pages from the contract, and he said last night that he wasn't allowed to say anything about whether Satan was really the father. Maybe that was part of the deal, too: that if Mr. Oliver ever did have a son, that he'd have to let the Devil claim to be the biological father.

I hope that this will be the end of the "Sam lies to Andi about something and gets in trouble for it" stories, and that maybe they can finally bring Andi into the soul-capturing loop full time. But this was a really solid episode, all-around. I didn't even mind (much) the brief appearance of Ted.

What did everybody else think?
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Wednesday, March 25, 2009

Reaper, "The Favorite": Dad always liked you best!

Quick spoilers for last night's "Reaper" coming up just as soon as I find a glass...

"The Favorite," written by "Reaper" creators Michele Fazekas and Tara Butters, hit on two of its three storylines, deepening the complications of Sam being the Devil's son and having a lot of fun with the idea of human/demon loving. And if the Sock subplot didn't work, it's because Fazekas and Butters have a much higher opinion of the appeal of Ted -- whom I had hoped we were rid of -- than most of us do.

From the moment when Satan told Sam in the season premiere that he had sired hundreds of offspring over the millennia, it seemed inevitable that we would get to meet another one. Guest star Armie Hammer nicely captured how easily a Satan spawn might become a total d-bag, especially if he was spoiled instead of forced to work for everything the way Sam is. And the happier the Devil is, the more fun Ray Wise is to watch, so this was a nice showcase for him.

Rick Gonzalez, meanwhile, had maybe his strongest episode yet, as Ben had to face performance anxiety after realizing he wasn't satisfying Nina. The scene where Ben braced himself to have sex with her in her demon form was really funny, and a reminder that Gonzalez's more low-key style can get laughs just as easily as Tyler Labine's more extroverted antics.

One moment I particularly liked was when Morgan, after meeting Ben and Sock for the first time, tried to figure out what each guy's specialty was -- particularly Ben's long, silent contemplation of whether Sock qualified as the "fighting guy." It served as a commentary about how much these guys are still fumbling along without a real plan, succeeding more by accident than anything else, but also worked as an unintentional meta commentary on how sloppy and yet endearing "Reaper" itself is.

What did everybody else think? And with Sam's (non-Satan) dad looking all blue, is he supposed to be a demon, or a zombie?
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Tuesday, March 17, 2009

Reaper, "The Sweet Science": We want more Nessman, not Les!

As I mentioned earlier today, I'm too overworked today to do a full review of tonight's "Reaper," so I'll make a few super-fast points after the jump and then open it up to you...

1. On the one hand, making Andi the boss at the Work Bench solves a couple of problems, in that it gets rid of Ted and gives Andi something to do. On the other hand, wasn't a key part of Andi's character last season -- and the reason, other than her looks, that Sam was so into her -- the way she was a much more successful, creative loafer than Sock could ever hope to be? Doesn't seem to track, and it also means that we're no closer to my dreamed-for idea of having Curtis Armstrong come back to be the boss.

2. That said, I did enjoy Andi and Sock's feud over the fictional Les Nessman (named after the news reporter on "WKRP in Cincinnati," whom you can watch here in the funniest scene in "WKRP" -- and, some would argue, sitcom -- history), particularly Sock's very real grief when he realized Andi had killed off Les.

3. Sam might have gotten a brief moment of triumph over the Devil by telling him that the boxer threw that fight, but isn't he only going to make the poor guy's eternal damnation that much worse in the process?

4. Ben + demon girlfriend = funny. That is all.

What did everybody else think?
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Wednesday, March 11, 2009

Reaper, "Dirty Sexy Mongol": The Maltese Andi

Spoilers for last night's "Reaper" coming up just as soon as I get a Bluetooth...

The CW sent out two episodes for review: the season premiere, and next week's "The Sweet Science." Yet "Dirty Sexy Mongol" was by far the most entertaining of the three. Weird how that works sometimes.

This one was a very good showcase for both Tyler Labine and Rick Gonzalez. Labine got the funny (and very nimble) dance-off scene with the rival for his "sister's" affections, as well as his great pained reaction to realizing he had talked her into saving herself for marriage. What Gonzalez does as Ben isn't as flashy, but his goofy-sweet approach to Sam's world is often even more amusing (and endearing) than what Sock's up to. I loved Ben refusing to put the bunny down long enough to pull the spear out of the post, as well as his confidence in knowing the Mongol would strike the Vietnamese restaurant (and that they could play Risk while they waited). And Ben dating a rebel demon has a lot of promise.

The Mongol didn't have a ton of personality, but they did enough with his learning curve and got him off-screen early enough that his scenes were fine. The rest of the time was spent on Sam's quest to find Alan, and on different people (Gladys, the Devil) sending demons after Sam to suit their own agendas. Satan taking out a pair of demons just to show Sam a lesson and scare away Alan was a great action-movie moment, even if I'm annoyed that the show has completely dropped the ambiguity about Sam's parentage.

It was also good to see Andi helping out Sam for once on Hell-related business. I still don't think the writers know what to do with Missi Peregrym, but having her join this show's version of the Scooby gang and offering a less juvenile perspective on soul-hunting seems as good a direction as any.

In other news, Ted gets fired, and I won't miss him. I'd like to think this means a return appearance by Curtis Armstrong as Russ (who I think would make a great Michael Scott-style boss), but if they haven't seen fit to bring him back by now, I'm not going to get my hopes up.

What did everybody else think?
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Tuesday, March 03, 2009

Reaper, "Episode IV: A New Hope": Right back where we started from

Brief spoilers for the "Reaper" season two premiere coming up just as soon as I call Senor Trampoline...

I expressed some of my concerns about the premiere (and the season's third episode, which the CW also sent out for review) in yesterday's column, so I want to focus on a few specific points here:

• I don't like the way so much of the premiere feels like hitting the re-set button to the dreary early episodes from last season: escaped souls with no personality, Sam again keeping secrets from Andi, etc.

• At the same time, I don't like that they've apparently changed their minds on how ambiguous they want to be about Sam's parentage, what Sam believes about it, what the Devil wants to say, etc. I mean, you could read Sam's conversation with the Devil as still ambiguous, in that Satan never comes right out and says he's Sam's dad, but he comes a helluva lot closer than he did at the end of last season.

• On the plus side, Sock's Brady Bunch problem with his cute new stepsister was well-played by Tyler Labine, and Ray Wise continues to be genius. His delivery of the line about radishes was hilarious.

• Those two performances and two outstanding music choices -- The Hold Steady's "Constructive Summer" (which is all about getting drunk when you're supposed to be getting stuff done) over the all-night kegger montage, and Joe Esposito's "You're the Best" (aka the awesome montage song from "The Karate Kid") over the Devil's latest attempt to taunt Sam -- just barely give me hope that the rest of the show will come back up to par, but overall, not a good start.

What did everybody else think?
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Monday, March 02, 2009

Sepinwall on TV: 'Reaper' season two review

In today's column, I review season two of "Reaper," which begins tomorrow night:
Late in the second-season premiere of the CW's "Reaper," slacker Sam (Bret Harrison), still stuck working as a bounty hunter for the Devil (Ray Wise), asks his friends Sock (Tyler Labine) and Ben (Rick Gonzalez) to help him brainstorm how to simultaneously capture 40 souls escaped from hell. Sock declares they have to approach a problem this complicated like college students -- which means spending the night chugging beer until a brainstorm hits them. After several hours of increasing drunkenness (and, for Sock, nudity), they finally come up with the perfect plan: Just get the souls as drunk as the three of them are right now.

"Our all-nighter paid off!" Sock roars in triumph. "We are college men!"

Sock's scheme doesn't go off as planned, and the entire sequence sums up "Reaper" in a nutshell. It's a series with a lot of potential, but its creative team constantly struggles to live up to the ambitious job before them -- and their plans work only in fits and starts. It's fun, but not nearly as good as it could be.
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Wednesday, May 21, 2008

Reaper, "Cancun": A death in the family?

"Reaper" season finale spoilers coming up just as soon as I get rid of a mold stain...

Hmmm... I'm a little conflicted on how that all played out.

On the one hand, the finale introduced a whole bunch of interesting new angles for season two: Sam is now marked for death (or worse) by all the non-Tony rebel demons, Sam believes his father to be dead even though his father somehow (by being a demon himself?) survived being buried alive, Sam is either the harbinger of the Apocalypse or an important part of God's plan, etc. To trot out the now inevitable "Buffy" comparisons, this is the sort of territory that "Buffy" was heading into by the end of its uneven first season, which led to its kick-ass second season.

On the other hand, I don't know that this show, with this particular assemblage of talent in front of and behind the camera, is really up for much weightier material. Bret Harrison's a talented comic actor, but he doesn't seem up for the more serious moments, as evidenced by how flat the few scenes were in between the apparent death of Sam's dad and the revelation that he was alive and well. I don't know if that's on Harrison, or on the producers not wanting to go to a very dark place knowing that, within minutes, they'd be telling us that it all was a lie, but Sam seemed mildly bummed-out, at best, at the thought that his father (biological or adopted, he was still Sam's dad) was dead, that he was now Demon Enemy #1, that he could be Satan's son, etc. The idea to have Sock try to help Sam cope with his grief in the only way he knew how -- acting juvenile and blowing stuff up -- could have been both funny and moving at the same time if the moments leading up to it seemed more tragic, but instead it came across like the show itself only knows how to deal with tragedy by being juvenile and blowing stuff up.

I remain glad that the show got renewed and will be back at midseason, and that Fazekas, Butters and company got away from the tedious Soul of the Week format that was killing the show in the early going. I just wonder if they've maybe bit off more than they can chew here.

What did everybody else think?
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Thursday, May 15, 2008

Reaper, "The Leak": Sam of son?

Belated "Reaper" spoilers coming up just as soon as I get a black eye...

I'm glad I got to watch this episode after the CW upfront (where "Reaper" got a pick-up for mid-season), because I no longer have to lament the idea that the producers figured things out just before they got canceled. If anything, this recent run of episodes is evidence for why the CW granted a renewal in spite of lousy ratings. This was yet another fun episode that managed to tell an interesting standalone story (it helps that Richard Burgi has had a lot of practice of late playing lecherous d-bags) while at the same time moving along the arcs (demon rebellion, Ben's marriage) and better incorporating the supporting characters who work (Gladys, who dies almost as hard as John McClane).

Now, I have to think Fazekas, Butters and company worried about cancellation when they were writing these, so in addition to showing CW execs how much better the show could be, they've started throwing out ideas that, under better ratings circumstances, they might have held for later. So now Andi's part of the Scooby Gang (though I would argue that should have come even sooner than it did), and with this week's episode, the show gets overt with the question of whether Sam is the son of Satan. (Not to be confused with this guy.)

But because they're addressing that issue this early in the run, I have to wonder if that will really be the answer, or if all the hints that have been dropped were just a feint for some other explanation of the Devil's fondness for Sam. If Sam's not Satan's kid, why does Old Scratch like him so much?

I do want to repeat last week's complaint about Andi. I'm glad she's in on the secret and part of the group, but the writers still don't know what to do with her. I want to see her be more inquisitive about how all this stuff works, or to have some other kind of recognizable personality trait. The running gag about Sock trying to trick her into dressing up at least gave her a bit of business to play, but in the end it was just another riff on the fact that Missi Peregrym is hot, you know?

What did everybody else think? And do you think the death promised in the promos will be Ken Marino, or perhaps Josie, who was slightly less redundant than usual this week?
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Wednesday, May 07, 2008

Reaper, "Greg, Schmeg": Play your card right

"Reaper" spoilers coming up just as soon as I dine at my local hospital cafeteria...

The upswing continues, and I may have been premature in throwing dirt on the show's renewal chances last week. Now it looks like the CW might renew it to be part of a minimal repeats Thursday skiffy rotation with "Supernatural" and the final season of "Smallville."

And once again, the "Reaper" creative team gave us an episode that was eminently renewal-worthy. The demon rebellion arc took a powder for the night, but we had Sam hunting (and being hunted by) an enemy with a personal connection to him, we got more married-Ben comedy, we got more Ray Wise evil, more glimpses of the secret lives of demons-on-earth with Gladys taking the boys to the storage facility, and best of all, we got Sam finally sticking it to the Devil, even a little. He understood that the Get Out of Hell Free card would never work for him, so he took pity on poor, stupid Greg while finding a way to fix his relationship with Andi. If the show wants to have a long life, its hero needs to be less of a sap, and this was a step in the right direction.

That said, they need to do some work building up Andi as a character. Yes, Missy Peregrym is very pretty, but other than those early-season glimpses of Andi's creative goofing-off (the stolen shopping carts, the secret clubhouse under the TV boxes), she has no discernible personality. Letting her in on the Satan secret seemed like a prime opportunity to do something interesting with her. Sock and Ben have learned to take all this demon-hunting stuff at face value, and I was looking forward to the writers having Andi look at it with fresh eyes, to question how and why it all works the way it does, etc. Maybe we'll get some of that down the road, but last night we just got her asking Sam about the scariest soul he ever caught.

Still, feeling good and kudos to the casting people for getting Jeff Kober (Dodger from "China Beach") as the demon with the cache of bootleg vessels. The guy's got plenty of demons and other hellspawn roles on his resume, and he fit right in here.

What did everybody else think?
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Wednesday, April 30, 2008

Reaper, "Coming to Grips": Handy Andi

"Reaper" spoilers coming up just as soon as I put Sue Grafton's "X is for Xylophone" on my Amazon wishlist...

Dammit, why must so many rookie shows this year get their acts together right when they're about to be canceled?

Now, I don't know for sure that "Reaper" is doomed, but given that The CW is a complete Nielsen disaster area, and that they've already renewed "Gossip Girl" (slightly lower ratings, much bigger buzz), I'm not optimistic. And, as with the fate of "Journeyman," I'd be much more at peace with it if the producers hadn't made a significant course correction in recent episodes.

Because this? This was easily the best hour of "Reaper" since the pilot, one that mixed in an interesting Soul of the Week with the rebel demons story arc (glad to see Ken Marino's not gone yet), plus a major breakthrough in the Sam/Andi relationship and some good side comedy from Ben, with a bonus helping of the always wonderful Lucy Davis from the British "Office."

So now Andi's in the loop, but at the cost of Sam -- gullible and short-sighted as always (if there's one area where the show could still stand to improve, it would be making Sam less of a mush-head) -- having to betray Tony and the other peacenik demons. And just as Ben finds the potential girl of his dreams (played by Kandyse "Dualla from Galactica" McClure) but finds he's trapped in his own deal with a different kind of devil. Good stuff -- entertaining here, and with myriad possibilities for down the road. This is much better than those bland episodic Soul-hunting episodes they kept giving us pre-strike.

What did everybody else think?
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Wednesday, April 23, 2008

Reaper, "Rebellion": The phone number of the Beast

Spoilers for "Reaper" coming up just as soon as I choose between the tacos and the mail...

Farewell, "State" alums. I'll miss you and your fussy bickering and the way you actually gave "Reaper" direction for a few weeks.

I don't know whether the Demons Next Door storyline was always planned to be this length, or if Ken Marino and Michael Ian Black were only available for a few episodes, or if the strike changed the initial plan, but I think we could have gotten more mileage out of the whole deal. Black's plan for the demons to conquer Satan by being nice was really funny (as was the demon-guilt over their backsliding with the human sacrifice), and the storyline allowed the writers to backburner the Soul of the Week.

But if the storyline ended before I would have liked, at least it went out with a really strong episode. It gave Ray Wise opportunities to play so many shades of Satan (lonely, passive-agressive, then evil). It gave me the first Sock storyline since the Gladys episode that I enjoyed unreservedly (maybe the key is to have Sock get lucky as often as possible), and the first time ever that I haven't minded Ted.

One minor complaint: the previous episode (which I believe was the last one written pre-strike) ended with Sam making the Peter Parker choice of not wanting Andi to get too close to him, and all of a sudden he's fine with her asking him out on a date? Did I miss something?

What did everybody else think?
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Friday, March 28, 2008

Reaper: Boys and girls... ACTION! ACTION!

Spoilers for last night's "Reaper" coming up just as soon as I grease up a chair...

First, I know the photo above wasn't in last night's episode, but A)the CW press site didn't have any pictures for this show, and B)Michael Ian Black trying to sand off his demon horns is a funny image.

If you've been reading me for a while, you know there's always a risk, whenever more than one alum of The State appears in something, of me going off on a long tangent about my love of the group. To save time, I'll just link to a handful of State sketches (featuring Black and/or Ken Marino) that have yet to be pulled off of YouTube or MySpace TV: "Pants", "The Barry Lutz Show", "Porcupine Racetrack" and "Father-Son Race" and express my frustration that MTV has once again delayed the release of the DVDs (which is the whole reason all the other sketches have been scrubbed off of YouTube).

Beyond any college age nostalgia for the likes of Louie or Barry and Levon, I was glad to see Black and Marino show up last week because "Reaper" has been badly in need of a comedy injection for a while. To keep alive the "Chuck" comparison a little longer, "Chuck" was able to get by a lot of weeks with iffy plots and guest villains simply because it was funny. "Reaper" has tried to be funny, but most of the time the jokes felt exactly like that -- someone trying to be funny, and not succeeding.

Sam and the guys' interaction with their new gay/demon neighbors carried last week's otherwise forgettable invisible soul storyline. So those scenes were added to an episode like last night where things actually happened, you got a show that sort of resembled the one we all liked so much way back when the pilot aired.

Part of the problem with "Reaper," other than the low laugh quotient, is that Sam is such a passive, sad sack character. The idea that Sam is somehow special to the Devil, and that there are other Hellspawn who might want to take advantage of that link to get back at Ol' Scratch, gives both the character and the show some actual direction. We know Sam's not going to get out of his contract before the finale, but this other story idea could be promising. (Plus, it suggests that Black and Marino will be around for a while.) And the writers needed to get off the pot already with Sam and Andi; the Peter Parker, "Anyone I get close to will be in danger" approach isn't the most original, but at least it should (I hope) put a moratorium on all those lemon-sucking scenes where Sam pines after her.

What did everybody else think?
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Tuesday, March 18, 2008

DVR clean-up round-up

Since I had already watched the CBS comedies last week in order to write yesterday's column, I spent last night's viewing hours either giving another shot to some shows I was on the verge of abandoning, or watching shows from last week that had been sitting on my DVR hard drive. Brief spoilers for, in order, "New Amsterdam," "Canterbury's Law," "Reaper" and "Survivor" coming up just as soon as I work on my glove-slapping technique...

"New Amsterdam" remains a show with a couple of strong elements (immortal Manhattanite, Coster-Waldau's performance) floating in a sea of mediocre ones (the police procedurals, the chemistry-free romance). Even the flashbacks to Amsterdam's past adventures can be problematic. I know there's not a lot of time to do the earlier eras justice, but the flashback rapist was a Rollie Fingers mustache away from being a complete cartoon of a bad guy. The idea of comparing how attitudes have changed -- or haven't -- about rape over the centuries was an interesting one, but the execution was iffy.

And yet, I'm finding that I really like Coster-Waldau and the easy manner he brings to Amsterdam. What seemed like world-weariness in the first couple of episodes now feels more like amused detachment. I don't know if that's supposed to be thematic (now that he's found his one true love -- even if she's the most boring person in Manhattan -- he's stopped moping) or if the producers just realized that the initial portrayal of Amsterdam could drag the show down, but this guy is someone I don't mind spending time with. Oddly, given my dislike of the police stories, the best scenes in the episode featured Amsterdam bonding with the fashion designer victim. Those moments of the two of them talking did a much better job of showing how relaxed and confident and wise this guy is -- as he probably would be after 300+ years on this island -- than any of the gags where he solves a crime because he learned to lip-read a few centuries back.

In hindsight, I'm surprised Fox didn't send out last night's "Canterbury's Law" for review -- the screener disc had the pilot and episode four -- as it was much stronger than the other two. A minimum of the ZZ Top "Legs" video material (other than the opening credits, which I saw for the first time here), there was some humor to leaven the grimness (and without the psychic material getting too goofy), and I actually felt something for the Julianna Margulies character. It's still a formulaic lawyer show, but this was a better-done version of that than the two episodes I saw in advance.

Thank God for DVR season passes, or else I would have never remembered that A)"Reaper" was coming back with new episodes, and B)"Reaper" was moving to Thursdays after "Smallville." But the DVR saves me from having to remember stuff. Thank you, DVR. I'll even forgive the way you start to spazz out when your hard drive gets too full.

Decent episode, and a fair bit better than I remember the show being towards the end of its pre-strike run. (Though I believe this episode was one of a few pre-strike leftovers.) Whenever they make the Devil more menacing, it in turn gives his lighter moments more snap, so I liked seeing him blow off some steam at Sam -- and also seeing his maybe, maybe-not daughter threaten to cut Andi good. That said, the comedy factor is still lacking from the pilot level, and it was the laugh-out-loud moments that made the rest of the show work.

Finally, I watched half of last week's "Survivor" the night it aired, just so I could buffer enough of "Lost" that I could watch without commercials. Once Jonathan was evacuated from the game, my interest faded, and I didn't get around to seeing the rest of the episode for days. Jonathan happens to be one of my favorite "Survivor" contestants ever. I love his bitchy give-and-take with Probst, his insistence on playing a rational game and his constant struggles to present his rational arguments in a way that the other players could understand. (Every hero's gotta have a weakness; for Penner, it was his tendency to argue things too forcefully.) And I admired the hell out of him killing himself on that last reward challenge, given what we would find out about the state of his leg. (You could tell Probst, who always develops man crushes on the uber-jocks, finally let go of whatever issues he had with Penner after seeing that performance.) With Jonathan gone, with Yau-Man gone, and with Cirie (my other favorite among the "favorites") acting really smug this time out, I'm out of people I really care about.

I thought it was a shame that Chet was so mentally checked out of the game (and no doubt freaked out about his foot, given what had happened to Jonathan) that he refused to participate in Tracy and Ami's scheme to blindside Ozzy. The thing is, if I've done the math right, Tracy didn't even need Chet's vote to get rid of Ozzy. All they had to do was lie to Chet about who to vote for, then cast three votes (Tracy/Ami/Erik) for Ozzy while three other votes (Cirie/Ozzy/Amanda) voted for Chet. In the event of a tie, there's a revote where the two people who are tied are ineligible to vote, which means Tracy's crew could have gotten rid of Ozzy by a 3-2 margin. (Or, at least, they could have flushed out the hidden idol, had he been cautious enough to bring it to Tribal Council.) Anyway, I guess I'm with this season for a while yet, but a lot of the fun went out of it with Jonathan.

What did everybody else think?
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Wednesday, November 14, 2007

Reaper: Mind-cheeeeeeater...

Spoilers for "Reaper" coming up just as soon as I reshelve my "X-Files" DVDs...

A guy I know who works in a network's scheduling department has this theory -- backed by some persuasive examples -- that a show can start with soft ratings and build, but if a show is doing well and starts to lose viewers, they won't come back. The more I think about last night's "Reaper," the more I wonder if the same concept can't also be applied to the creative side of things. If I think a show starts out weakly but gets better over time (like, say, "Life," which has a really strong episode tonight), I'm apt to be kinder towards it than a show that I liked until it dipped, even if the show tries to get better moving forward.

The latest "Reaper" did a number of things I've been asking/hoping for, including more of Gladys the DMV Demon (though I think her fun sexy time with Sock would have been a lot funnier if it hadn't been a dream), some breaks from the formula (Sam goes soul-hunting on his own, the soul plays second fiddle to the cop) and the Devil seeming genuinely dangerous. But to quote the most insightful, articulate cultural critic of our day, I wasn't feeling it, dawg.

Part of the problem was that other flaws remained in place, like the relationship hamster wheel that Sam and Andi have been stuck on for no particular reason, or the soul again having no personality (though the tattoo gimmick -- lifted from an old Green Lantern villain -- was one of the more visually interesting powers to date).

Mostly, though, I feel like "Reaper" caught lightning in a bottle with that pilot and has been struggling to trap some more ever since. Some episodes are good, some are bad ("Charged"), and some are mediocre but have Curtis Armstrong. Ray Wise alone is probably enough to keep me going for the rest of the season, but barring a string of four or five consecutive episodes of "Leon" quality, I think the magic's gone for good.

What did everybody else think?
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